A Seaboard Farm Experience
BY Steve Napier | Jul 26, 2017 | Architecture

 

THE PROJECT
Scrubby Bay Farmhouse 
Annandale, Pigeon Bay
Banks Peninsula, New Zealand

Photo above by Stephen Goodenough.

This is a robust structure, designed to form the centre piece of a remote, symmetrical, and thundering surf beach. It is sited on one of New Zealand’s iconic coastal sheep and cattle stations and is intended as a farm experience for family groups up to 12 people. 

It is accessed by helicopter from Christchurch Airport or by farm track. It was commissioned by an expatriate New Zealand owner as a base from the where multiple farm and coastal activities can be discovered, enjoyed, and recovered.


Andrew Patterson: "The total sum of senses is what this design is all about
for us; the visual aspect is only one. It’s the sound of the Antarctic surf
crashing on the boulder beach in front with the occasional calling of
circling seabirds above. The scent of the birch and cedar, especially
combined with the aroma of wood smoke from the fireplace (driftwood
and pine). It’s running your hand along the texture of a wood wall,
combined with the roughness of the stone contrasted against the
interiors' soft fabrics and smooth floors, the horizon, and the solitude. 
The wind in the grass. The atmosphere is all about these things combined."

A vernacular verandahed form belies its massive scale—the apex height is at 5.5 metres and its knee at 3.4 metres in a fully macrocarpa interior, traditionally detailed and juxtaposed against black steel fittings. At the centre of the house is a stone fireplace, constructed from rock quarried from the station. The project incorporates mainly custom-designed fittings, door hardware, furniture and lighting, oak grills, and handles.

The building shuts down during storms or when unoccupied and when opened sets up both seaward and leeward exterior environments. It is conceived as a piece of slowly ageing farm driftwood; in the future, stock might come right up to the building. 

THE STUDIO
Patterson Associates

Andrew Patterson’s early work on New Zealand’s unspoiled coasts explored relationships between people and landscape to create a sense of belonging. He founded his architecture studio based on a very simple idea: if a building can feel like it naturally “belongs,” or fits logically into a place, a landscape, into an environment, or a time and culture, then the people that inhabit the building will likely feel a sense of belonging there, as well. This methodology connects theories of beauty, confidence, economy, and comfort.

He states: “If the purpose of architecture is to create places for people, consider the pre-European Māori concept of ‘belonging.’ This is communicated in a creating parable—the story of two entities, ‘Earth Mother’ and ‘Sky Father,’ who were locked in a perpetual conjugal embrace. The first people arose from the earth as the product of that coupling: children of the earth and sky.

“Architecture is just modifying the environment for human beings, at its most basic level. Architecture is just taking a bit of landscape and modifying it so you can live there a bit more comfortably—it’s the ultimate pitching a tent.


Andrew Patterson—founder and director of
Patterson Associates. Photo by By Danilo
David (Danilophoto).

“You either take the view that we’re not natural—that we should make all our buildings recessive, if we have to put a building in a nice place, then we should paint it green and make it look like it can be taken away at any time. Or you can say, ‘You have as much right to be there as the birds in the trees; you’re a natural evolved part of the planet.’ It’s just that we have got a responsibility to do a nice job and to contribute.”

In 1988 Andrew represented New Zealand at the New Breed Architectural Exhibition in Sydney and received his first National Award for Architecture in the same year. During his career, he has won New Zealand National Awards for Architecture five times.

In May of 2012, Andrew was named by the world’s most-searched architectural journal, London-based World Architectural News, as one of 21 architects “whose directional ideas are helping to shape the future of world architecture.” This achievement is unprecedented in New Zealand’s creative community. 

 

Barn that blends


Andrew Patterson: "The archetypal barn form of natural Western red cedar blends in with both the historic station's heritage and the surrounding sun-soaked hills, like driftwood that has been washed up by the Antarctic currents on its rocky beach. It seeks a sense of belonging to the landscape and to the history of the land. This particular cove is a dramatic, rugged coastal sense of place that also gives access to its farming experiences. The site doesn’t need to compete with its breathtaking surroundings. The symmetry of the bay complimented the long and low form of the barn. But the barn is positioned right at the centrestage, the middle of the natural amphitheatre of the bay, personifying an opera singer almost. To be anywhere else would be lacking in self-confidence and connection to the nature." Photo by Simon Devitt.

 

Simpler than simple


Andrew Patterson: "The building is assembled from the simplest barn shape, then clad over in one materiality to make it simpler again." Photo by Stephen Goodenough.

 

The basic layout challenge


Andrew Patterson: "Like all exposed coastal sites, there are strong on-and-off shore winds, so the building environment has the option of opting out to the lee of either, depending on the weather—always enjoying the view. This is the often basic layout challenge in coastal design. Photo by Stephen Goodenough.

 

 

 

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About the author

Steve Napier is the founder and editor-in-chief of this website, Cardigan Row, which promotes inspirational projects, theories, and ideas from leading urban planners, architects, and interior designers across the globe.